Author Archives: hannieyama
Entranceway
Last month I described two teahouses, one by Terunobu Fujimori (30-10-2011) and the other by students of the art academy (31-10-2011), where you had to crawl through a low entrance door to get in. It felt rather uncomfortable and a
Entranceway
Last month I described two teahouses, one by Terunobu Fujimori (30-10-2011) and the other by students of the art academy (31-10-2011), where you had to crawl through a low entrance door to get in. It felt rather uncomfortable and a
All arts in one
In the survey that I did last weeks, I asked about the activities mostly related to the machiya. Ikebana (flower arrangement) and tea ceremony ended both on the first place. Zen meditation and calligraphy both on the second. I would
All arts in one
In the survey that I did last weeks, I asked about the activities mostly related to the machiya. Ikebana (flower arrangement) and tea ceremony ended both on the first place. Zen meditation and calligraphy both on the second. I would
Senses
Sitting on a tatami mat and looking outside into the garden is one of the most beautiful ways to wash away daily frustration. It takes some time, but than you can experience all the senses to relax and enjoy the
Senses
Sitting on a tatami mat and looking outside into the garden is one of the most beautiful ways to wash away daily frustration. It takes some time, but than you can experience all the senses to relax and enjoy the
Reversible
The size of a tatami mat (90 x180 cm) is not only an acre, but also the dimensions for the altitude of the space. This makes the space in the tatami room so elegant and simple. Roland Barthes wrote in
Reversible
The size of a tatami mat (90 x180 cm) is not only an acre, but also the dimensions for the altitude of the space. This makes the space in the tatami room so elegant and simple. Roland Barthes wrote in
New work in traditional style
When I asked Nihonga painter (traditional japanese painter) Taro Yamamoto, if making a copy of one of his paintings would be a problem, he answered ‘no, I sometimes reuse parts of my paintings or copy them if people ask so’.
New work in traditional style
When I asked Nihonga painter (traditional japanese painter) Taro Yamamoto, if making a copy of one of his paintings would be a problem, he answered ‘no, I sometimes reuse parts of my paintings or copy them if people ask so’.
Future generations
For traditional carpenters looking at the wood joints of the machiya, old wooden houses and temples must be like heaven. And ‘fortunately’ most of the houses and temples are burned down or rebuilt. So this technique is still alive and
Future generations
For traditional carpenters looking at the wood joints of the machiya, old wooden houses and temples must be like heaven. And ‘fortunately’ most of the houses and temples are burned down or rebuilt. So this technique is still alive and
What do you take with you and what do you leave behind
For years I’ve been interesting in what people take with them when they have to leave, what kind of immaterial things like memories, thoughts, images, smells are important for people’s memory and future. I made cupboards and suitcases for them.
What do you take with you and what do you leave behind
For years I’ve been interesting in what people take with them when they have to leave, what kind of immaterial things like memories, thoughts, images, smells are important for people’s memory and future. I made cupboards and suitcases for them.
Beauty
What is beauty? Should art be beautiful? Last week during the presentation of Alex de Wolf’s work (one of the participants in this AIR project) we had an interesting discussion about beauty and art. He showed a temple surrounded by
Beauty
What is beauty? Should art be beautiful? Last week during the presentation of Alex de Wolf’s work (one of the participants in this AIR project) we had an interesting discussion about beauty and art. He showed a temple surrounded by
Eel beds
One of the nicknames for the machiya is ‘eel beds’ (unagi no nedoko) Taxes in Kyoto were paid according to the plot’s width. So most of the houses have a small front and are deep to the back. This explains
Eel beds
One of the nicknames for the machiya is ‘eel beds’ (unagi no nedoko) Taxes in Kyoto were paid according to the plot’s width. So most of the houses have a small front and are deep to the back. This explains
Perfection
‘Perfection is not achieved when there is nothing left to add, but when there is nothing left to take away.’ Antoine de Saint-Exupéry Although written by the french writer of ‘Le petit prince’, this is truly an eastern point of
Perfection
‘Perfection is not achieved when there is nothing left to add, but when there is nothing left to take away.’ Antoine de Saint-Exupéry Although written by the french writer of ‘Le petit prince’, this is truly an eastern point of
